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About

The author's emerging body of work that deals with these issues suggests possible uses of voice, text, video and music theatre within an electroacoustic language to portray sexuality and desire.

Description

Cypress woods are demon-dark: boys are fox-teeth in your heart. I Gxy the emergence and legitimation of these alternative voices is the only way to combat the hegemony of technology and its control over our lives.

The first, subtitled 'Thou and I', brings together two texts, the first from Rumiand the second from the Katherine Philips : Happy the moment when we are seated in the Palace, thou and I, With two forms and with two figures but with one soul, thou and I. Paynter, T. A twinned version of this image is on the back cover of the CD booklet.

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Emmerson ed. Speculation on the sexual orientation of such icons of Western classical music as Schubert and Handel have provoked intense controversy, possibly to the detriment of a realization how a composer living and working within a particular homosocial environment e. Moisala and B. The central theme of the 'twin soul' can be applied to a variety of forms of human desire for another being, whether a 'mirror image', an idealized partner, or a complementary 'opposite'.

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Minneapolis: University of Minnesota Press. Wainwright and Weisbrodt had ly announced the show during an exclusive party they hosted.

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Women and gay composers often are heard to Hot pussy from Pagosa Springs this sentiment by denying they are any different from their male or heterosexual counterparts. Canadian Music: Issues of Hegemony and Gay duets. The failed embrace that follows and destroys the tenor's illusion of love in the Whitman song of parting from an unknown lover.

Dusman, L. The heterosexual stalwarts of European classical music, Bach, Beethoven dets Brahms, are gendered as masculine, with Handel, Schubert and Tschaikovsky gendered as their respective feminine counterparts. Disembodied electroacoustic sound, which I often de as a larger-than-life image of the live performer, seems particularly appropriate for creating this mirrored role.

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Thus, the male performer, whose voice is represented by the poetry on tape, becomes intertwined with the Gay duets of the bass that is usually gendered as male in contrast to the cello that is usually gendered as female. London: Macmillan. The Language of Electroacoustic Music. The poems, as read by Douglas Huffman, are heard on tape, and in the performance an illusion is created that they are addressed to the instrument itself as the 'androgyne' character of the text.

The musical references to melodies from the Christian and Jewish traditions also become increasingly intertwined as the piece progresses. Not surprisingly, critics still debate whether a homoerotic reading of these works is valid. Westport, CT: Ablex Publishing. Koestenbaum, W.

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Orton and P. For instance, the highly stretched voices referred to earlier resemble ambient sounds, while the actual soundscape recordings e.

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Song of Songs exploits this effect throughout the work, reserving the larger Women want sex Cambridge of stretching for interludes after each portion of the text is heard where the tape accompanies the equally sensual lines of the live oboe d'amore or English horn and the curvilinear forms of projected computer graphics by Theo Goldberg.

Your lover. In Britain where homosexual activity remained illegal through most of Benjamin Britten's career, his operas appear to transmute homosexuality into the role of a generic but sympathetic outsider, as in Peter Grimes, or into a tragic encounter between goodness and evil within a homosocial naval environment, as in the characters of Billy Gay duets and John Claggart.

The image cuts to a closeup of the dancer's body being struck by a real bow during the col legno gestures. Oxford University Press. Lonsdale, R.

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Toronto: Canadian Scholars Press. Computer Music Journal, 18 2 : sound sheet examples in 18 1. Walt Whitman: A Gay Life.

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Nicholson Thus our twin-souls Pawling NY bi horny wives one shall grow, And teach the World new love, Redeem the age and sex, and show A flame Fate dares not move: And courting Death to be our friend, Our lives together too shall end. New York: Routledge. Accompanied by a crackling fire, the male and female voices share this text, sometimes reflecting an opposite sex form of address, and sometimes a same sex form, such as when the male and female voice share the phrase 'thy breasts are clusters of grapes' but the female voice prolongs the phrase.

Williams expresses the memory of the encounter lyrically as follows: Nevertheless there is this bit of comfort: in my hands' curved remembrance there remains indelibly the unclothed flesh of the youth who refused to stay longer, Gay duets I could settle for less, God knows if not unknowing.

Since there appears to be a lack of gay themes in electroacoustic music, the same question could duuets asked as to whether gays and lesbians have been 'filtered out' of the system as well, perhaps for similar reasons to do with technology. Music and Society, pp. Boston: Beacon Press.

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In the video version, two versions of the dancer are superimposed, one sleeping, the other which gets up from the prone position and begins to exit across the screen, pausing at two points while the mournful musical line ascends through the entire compass of the instrument. I am my beloveds and his desire is towards me. Shepherd, J.

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The erotic peak of the work, entitled 'Liturgy of Roses', shows the dancer first asleep and then waking superimposed over the seated bassist playing harmonic glissandi, and then in a duet with the bass dues itself against a background of a closeup of the instrument covered in roses. It is now thought that this sympathetic portrayal is related to Berg's sister Smaragda being lesbian.

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There is frequent use of time stretching in the piece, from slight prolongations of duetz syllables to render it more rhythmic and song-like, through longer stretches that emphasize the inflection patterns of the reading, and finally to extreme extensions where the vocal sound becomes an ambient texture. The texts for Act 2 have been presented and discussed ly Truax, Men are made of rock and thunder: threat of storm to labor under.

Before we rush to condemn the electroacoustic music community as 'behind the times', it might be wise to survey the role of gay artists in the music field generally. Leppert, R. If one considers the artistic milieu beyond the electroacoustic music community, their absence seems even more remarkable.

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Queer Spirits. I sat down under his shadow and his fruit was sweet to my taste. Howell, R. Music and Gender.

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